Menace II Society and Colonization :: essays research papers

A asymmetric childhood its what the trend I am,Its got me in the state where I dont cook a damn,Somebody helped me but now they dont hear me,I hazard I be another victim of the ghettoSo I stake I gotta do what so I aint finishedI grew up to be a streiht up menace, geah.-Streiht Up Menace by MC Eiht The song lyrics above are from the soundtrack of the fool Menace II lodge and correspond directly to the hardships that people are given when growing up in the ghetto and when surrounded by a life of violence. Because they know postal code other than this aggressive and brutal way of life, they continue this violent bicycle and rarely break away to begin a new way of life.Twin brothers Albert and Allen Hughes direct the film. The Hughes began making movies at age 12, but their positive film education began their freshman year of high school when Allen took a TV production class. They soon made a short film entitled How To Be A Burglar and people began to take notice. Their succe eding(prenominal) work, Uncensored Videos, was broadcast on cable, introducing them to a wider audience. After high school, Albert began taking classes at the Los Angeles Community College Film School. Two short films established the tally reputation as innovative filmmakers and allowed them to direct Menace II companionship (1993), which made its world premiere at the Cannes Film Festival and grossed nearly 10 times as much as its $3 trillion budget. After following up with Dead Presidents (1995) they directed the feature-length documentary American Pimp (1999). From the very first scene, detailing Caine and O-Dogs fatal armed robbery of a Korean food market, violence is cruelly graphic. In this instance, the film succeeds in painting a disturbing picture of violence, one in which the characters inadequacy of remorse, rather than stylistic convention, shapes and colors the horror of the image. Although most of the violence is film realistically and unfolds in real time, the Hughes cant seem to resist stylizing some of the more(prenominal) important narrative events. Thus, while the robbery introduces violence, O-Dogs shooting of the Korean market owner is shown directly only further into the story, when black and white images of the stores stolen oversight video are played and replayed for the entertainment of Caine, O-Dog, and their friends. While an innovative instrument of conveying action, the video becomes nothing more than a diversion.